Main page
About this Wiki Manual
About the GIJTR
Random page
Translate
Language statistics
Message group statistics
Export
English
Create account
Log in
Export translations
From Wiki
Jump to:
navigation
,
search
Settings
Group
About the GIJTR
About this Wiki Manual
Access and Data Security
Addendum I
Addendum II
Addendum III
Addendum IV
Addendum V
Chapter Zero
Digital Archiving Lifecycle
Digitization, Preservation and Ingest
Glossary of Key Terms and Concepts
Introduction
Main challenges for CSOs creating digital archives
Main Page
Maintenance: Preservation, Development and Migrations
Manual Overview
Means and Resources for building a digital archive
Outreach and Social Activism: Archive in Action
Planning and Organizing
Summary
Value of Digital Archiving for Civil Society Organizations
Language
aa - Afar
ab - Abkhazian
abs - Ambonese Malay
ace - Achinese
ady - Adyghe
ady-cyrl - Adyghe (Cyrillic script)
aeb - Tunisian Arabic
aeb-arab - Tunisian Arabic (Arabic script)
aeb-latn - Tunisian Arabic (Latin script)
af - Afrikaans
ak - Akan
aln - Gheg Albanian
alt - Southern Altai
am - Amharic
ami - Amis
an - Aragonese
ang - Old English
ann - Obolo
anp - Angika
ar - Arabic
arc - Aramaic
arn - Mapuche
arq - Algerian Arabic
ary - Moroccan Arabic
arz - Egyptian Arabic
as - Assamese
ase - American Sign Language
ast - Asturian
atj - Atikamekw
av - Avaric
avk - Kotava
awa - Awadhi
ay - Aymara
az - Azerbaijani
azb - South Azerbaijani
ba - Bashkir
ban - Balinese
ban-bali - Balinese (Balinese script)
bar - Bavarian
bbc - Batak Toba
bbc-latn - Batak Toba (Latin script)
bcc - Southern Balochi
bci - Baoulé
bcl - Central Bikol
be - Belarusian
be-tarask - Belarusian (Taraškievica orthography)
bg - Bulgarian
bgn - Western Balochi
bh - Bhojpuri
bho - Bhojpuri
bi - Bislama
bjn - Banjar
blk - Pa'O
bm - Bambara
bn - Bangla
bo - Tibetan
bpy - Bishnupriya
bqi - Bakhtiari
br - Breton
brh - Brahui
bs - Bosnian
btm - Batak Mandailing
bto - Iriga Bicolano
bug - Buginese
bxr - Russia Buriat
ca - Catalan
cbk-zam - Chavacano
cdo - Mindong
ce - Chechen
ceb - Cebuano
ch - Chamorro
cho - Choctaw
chr - Cherokee
chy - Cheyenne
ckb - Central Kurdish
co - Corsican
cps - Capiznon
cr - Cree
crh - Crimean Tatar
crh-cyrl - Crimean Tatar (Cyrillic script)
crh-latn - Crimean Tatar (Latin script)
cs - Czech
csb - Kashubian
cu - Church Slavic
cv - Chuvash
cy - Welsh
da - Danish
dag - Dagbani
de - German
de-at - Austrian German
de-ch - Swiss High German
de-formal - German (formal address)
dga - Dagaare
din - Dinka
diq - Zazaki
dsb - Lower Sorbian
dtp - Central Dusun
dty - Doteli
dv - Divehi
dz - Dzongkha
ee - Ewe
egl - Emilian
el - Greek
eml - Emiliano-Romagnolo
en - English
en-ca - Canadian English
en-gb - British English
eo - Esperanto
es - Spanish
es-419 - Latin American Spanish
es-formal - Spanish (formal address)
et - Estonian
eu - Basque
ext - Extremaduran
fa - Persian
fat - Fanti
ff - Fula
fi - Finnish
fit - Tornedalen Finnish
fj - Fijian
fo - Faroese
fon - Fon
fr - French
frc - Cajun French
frp - Arpitan
frr - Northern Frisian
fur - Friulian
fy - Western Frisian
ga - Irish
gaa - Ga
gag - Gagauz
gan - Gan
gan-hans - Gan (Simplified Han script)
gan-hant - Gan (Traditional Han script)
gcr - Guianan Creole
gd - Scottish Gaelic
gl - Galician
gld - Nanai
glk - Gilaki
gn - Guarani
gom - Goan Konkani
gom-deva - Goan Konkani (Devanagari script)
gom-latn - Goan Konkani (Latin script)
gor - Gorontalo
got - Gothic
gpe - Ghanaian Pidgin
grc - Ancient Greek
gsw - Alemannic
gu - Gujarati
guc - Wayuu
gur - Frafra
guw - Gun
gv - Manx
ha - Hausa
hak - Hakka Chinese
haw - Hawaiian
he - Hebrew
hi - Hindi
hif - Fiji Hindi
hif-latn - Fiji Hindi (Latin script)
hil - Hiligaynon
ho - Hiri Motu
hr - Croatian
hrx - Hunsrik
hsb - Upper Sorbian
hsn - Xiang Chinese
ht - Haitian Creole
hu - Hungarian
hu-formal - Hungarian (formal address)
hy - Armenian
hyw - Western Armenian
hz - Herero
ia - Interlingua
id - Indonesian
ie - Interlingue
ig - Igbo
igl - Igala
ii - Sichuan Yi
ik - Inupiaq
ike-cans - Eastern Canadian (Aboriginal syllabics)
ike-latn - Eastern Canadian (Latin script)
ilo - Iloko
inh - Ingush
io - Ido
is - Icelandic
it - Italian
iu - Inuktitut
ja - Japanese
jam - Jamaican Creole English
jbo - Lojban
jut - Jutish
jv - Javanese
ka - Georgian
kaa - Kara-Kalpak
kab - Kabyle
kbd - Kabardian
kbd-cyrl - Kabardian (Cyrillic script)
kbp - Kabiye
kcg - Tyap
kea - Kabuverdianu
kg - Kongo
khw - Khowar
ki - Kikuyu
kiu - Kirmanjki
kj - Kuanyama
kjh - Khakas
kjp - Eastern Pwo
kk - Kazakh
kk-arab - Kazakh (Arabic script)
kk-cn - Kazakh (China)
kk-cyrl - Kazakh (Cyrillic script)
kk-kz - Kazakh (Kazakhstan)
kk-latn - Kazakh (Latin script)
kk-tr - Kazakh (Turkey)
kl - Kalaallisut
km - Khmer
kn - Kannada
ko - Korean
ko-kp - Korean (North Korea)
koi - Komi-Permyak
kr - Kanuri
krc - Karachay-Balkar
kri - Krio
krj - Kinaray-a
krl - Karelian
ks - Kashmiri
ks-arab - Kashmiri (Arabic script)
ks-deva - Kashmiri (Devanagari script)
ksh - Colognian
ksw - S'gaw Karen
ku - Kurdish
ku-arab - Kurdish (Arabic script)
ku-latn - Kurdish (Latin script)
kum - Kumyk
kus - Kʋsaal
kv - Komi
kw - Cornish
ky - Kyrgyz
la - Latin
lad - Ladino
lb - Luxembourgish
lbe - Lak
lez - Lezghian
lfn - Lingua Franca Nova
lg - Ganda
li - Limburgish
lij - Ligurian
liv - Livonian
lki - Laki
lld - Ladin
lmo - Lombard
ln - Lingala
lo - Lao
loz - Lozi
lrc - Northern Luri
lt - Lithuanian
ltg - Latgalian
lus - Mizo
luz - Southern Luri
lv - Latvian
lzh - Literary Chinese
lzz - Laz
mad - Madurese
mag - Magahi
mai - Maithili
map-bms - Basa Banyumasan
mdf - Moksha
mg - Malagasy
mh - Marshallese
mhr - Eastern Mari
mi - Māori
min - Minangkabau
mk - Macedonian
ml - Malayalam
mn - Mongolian
mni - Manipuri
mnw - Mon
mo - Moldovan
mos - Mossi
mr - Marathi
mrh - Mara
mrj - Western Mari
ms - Malay
ms-arab - Malay (Jawi script)
mt - Maltese
mus - Muscogee
mwl - Mirandese
my - Burmese
myv - Erzya
mzn - Mazanderani
na - Nauru
nah - Nāhuatl
nan - Minnan
nap - Neapolitan
nb - Norwegian Bokmål
nds - Low German
nds-nl - Low Saxon
ne - Nepali
new - Newari
ng - Ndonga
nia - Nias
niu - Niuean
nl - Dutch
nl-informal - Dutch (informal address)
nmz - Nawdm
nn - Norwegian Nynorsk
no - Norwegian
nod - Northern Thai
nog - Nogai
nov - Novial
nqo - N’Ko
nrm - Norman
nso - Northern Sotho
nv - Navajo
ny - Nyanja
nyn - Nyankole
nys - Nyungar
oc - Occitan
ojb - Northwestern Ojibwa
olo - Livvi-Karelian
om - Oromo
or - Odia
os - Ossetic
pa - Punjabi
pag - Pangasinan
pam - Pampanga
pap - Papiamento
pcd - Picard
pcm - Nigerian Pidgin
pdc - Pennsylvania German
pdt - Plautdietsch
pfl - Palatine German
pi - Pali
pih - Norfuk / Pitkern
pl - Polish
pms - Piedmontese
pnb - Western Punjabi
pnt - Pontic
prg - Prussian
ps - Pashto
pt - Portuguese
pt-br - Brazilian Portuguese
pwn - Paiwan
qqq - Message documentation
qu - Quechua
qug - Chimborazo Highland Quichua
rgn - Romagnol
rif - Riffian
rki - Arakanese
rm - Romansh
rmc - Carpathian Romani
rmy - Vlax Romani
rn - Rundi
ro - Romanian
roa-tara - Tarantino
rsk - Pannonian Rusyn
ru - Russian
rue - Rusyn
rup - Aromanian
ruq - Megleno-Romanian
ruq-cyrl - Megleno-Romanian (Cyrillic script)
ruq-latn - Megleno-Romanian (Latin script)
rw - Kinyarwanda
ryu - Okinawan
sa - Sanskrit
sah - Yakut
sat - Santali
sc - Sardinian
scn - Sicilian
sco - Scots
sd - Sindhi
sdc - Sassarese Sardinian
sdh - Southern Kurdish
se - Northern Sami
se-fi - Northern Sami (Finland)
se-no - Northern Sami (Norway)
se-se - Northern Sami (Sweden)
sei - Seri
ses - Koyraboro Senni
sg - Sango
sgs - Samogitian
sh - Serbo-Croatian
sh-cyrl - Serbo-Croatian (Cyrillic script)
sh-latn - Serbo-Croatian (Latin script)
shi - Tachelhit
shi-latn - Tachelhit (Latin script)
shi-tfng - Tachelhit (Tifinagh script)
shn - Shan
shy - Shawiya
shy-latn - Shawiya (Latin script)
si - Sinhala
simple - Simple English
sjd - Kildin Sami
sje - Pite Sami
sk - Slovak
skr - Saraiki
skr-arab - Saraiki (Arabic script)
sl - Slovenian
sli - Lower Silesian
sm - Samoan
sma - Southern Sami
smn - Inari Sami
sms - Skolt Sami
sn - Shona
so - Somali
sq - Albanian
sr - Serbian
sr-ec - Serbian (Cyrillic script)
sr-el - Serbian (Latin script)
srn - Sranan Tongo
sro - Campidanese Sardinian
ss - Swati
st - Southern Sotho
stq - Saterland Frisian
sty - Siberian Tatar
su - Sundanese
sv - Swedish
sw - Swahili
syl - Sylheti
szl - Silesian
szy - Sakizaya
ta - Tamil
tay - Tayal
tcy - Tulu
tdd - Tai Nuea
te - Telugu
tet - Tetum
tg - Tajik
tg-cyrl - Tajik (Cyrillic script)
tg-latn - Tajik (Latin script)
th - Thai
ti - Tigrinya
tk - Turkmen
tl - Tagalog
tly - Talysh
tly-cyrl - Talysh (Cyrillic script)
tn - Tswana
to - Tongan
tok - Toki Pona
tpi - Tok Pisin
tr - Turkish
tru - Turoyo
trv - Taroko
ts - Tsonga
tt - Tatar
tt-cyrl - Tatar (Cyrillic script)
tt-latn - Tatar (Latin script)
tum - Tumbuka
tw - Twi
ty - Tahitian
tyv - Tuvinian
tzm - Central Atlas Tamazight
udm - Udmurt
ug - Uyghur
ug-arab - Uyghur (Arabic script)
ug-latn - Uyghur (Latin script)
uk - Ukrainian
ur - Urdu
uz - Uzbek
uz-cyrl - Uzbek (Cyrillic script)
uz-latn - Uzbek (Latin script)
ve - Venda
vec - Venetian
vep - Veps
vi - Vietnamese
vls - West Flemish
vmf - Main-Franconian
vmw - Makhuwa
vo - Volapük
vot - Votic
vro - Võro
wa - Walloon
wal - Wolaytta
war - Waray
wls - Wallisian
wo - Wolof
wuu - Wu
xal - Kalmyk
xh - Xhosa
xmf - Mingrelian
xsy - Saisiyat
yi - Yiddish
yo - Yoruba
yrl - Nheengatu
yue - Cantonese
za - Zhuang
zea - Zeelandic
zgh - Standard Moroccan Tamazight
zh - Chinese
zh-cn - Chinese (China)
zh-hans - Simplified Chinese
zh-hant - Traditional Chinese
zh-hk - Chinese (Hong Kong)
zh-mo - Chinese (Macau)
zh-my - Chinese (Malaysia)
zh-sg - Chinese (Singapore)
zh-tw - Chinese (Taiwan)
zu - Zulu
Format
Export for off-line translation
Export in native format
Export in CSV format
Fetch
<languages/> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">16 - Adendums Page 2 (1).jpg</span>|thumb]] <div lang="en" dir="ltr" class="mw-content-ltr"> = “How to Organize Physical Archives in 10 Steps” = Marc Drouin with contributions from Daniel Barcsay and Ludwig Klee </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === Introduction === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> <blockquote><big>This guide presents a 10-step process for organizing documents related to human rights violations and transitional justice. It is intended for civil society organizations that have little to no archival experience or that have never tried to salvage and organize the documents they have accumulated over many years of work. Organizations that already have a physical or digital archive will have completed most, if not all, of the suggestions proposed here.</big></blockquote>The 10 steps correspond to three basic themes: the first is very practical and corresponds to the staff, space, and materials needed to organize the documents (steps 1 through 5); the second is more theoretical and requires thinking about document categories and subcategories that will provide the final archive with a logical structure (steps 6 through 8); and the third section addresses creating an inventory describing each document in the archive and providing basic treatment for the conservation of each document (steps 9 and 10). </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Since every archive is unique, the 10 steps are merely suggestions that can be followed to organize a basic physical archive prior to the [[Special:MyLanguage/Glossary of Key Terms and Concepts#Digitization|digitization]] of documents, a phase that follows the process proposed below. If the 10 steps are followed and all the documents in the physical archive are organized, then digitization can be carried out in the same order. Therefore, it is important to understand that any document in a physical archive must be organized, described, and stored in suitable conditions before creating a digital version, whether it will be used for the organization’s own purposes or for public disclosure. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Before implementing the 10 steps, we recommended assembling the following supplies, equipment, and staff: </div> <div lang="en" dir="ltr" class="mw-content-ltr"> * A team of two or three people responsible for carrying out the archival process; * Personal protective equipment, such as gowns or oversized long- sleeved shirts, masks, latex or lint-free cotton gloves, hair nets or caps; * Cleaning materials for the workspace; * A dry, clean, well-lit, ventilated workspace; * Worktables, chairs, and shelves that are painted or made of stainless steel; * One or two fans (only if no spores are found on the documents); * Cardboard boxes with lids for organizing and storing documents; * Post-it labels/sheets of paper, tape, markers, and stainless-steel staples; * Legal size manila folders; * Reams of acid-free paper in letter, legal, and oversized formats; * 1-centimeter wide twill tape (sold in rolls by the meter); * Reams of chipboard; * A paper cutter and/or scissors and Exacto knife; * A metal ruler or T-square (in centimeters or inches); * Plastic paper clips; * Brush with soft, natural bristles (not plastic); * Letter opener or lab spatula to remove staples (do not use staple removers); * At least one workstation with a computer with Excel software. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP ONE: FORM A TEAM === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> From the moment a human rights organization makes the decision to create and maintain an institutional archive, a team will be charged with fulfilling this new goal. Because it includes sensitive information that can compromise the safety of victims, witnesses, and/or their families, the organization, protection, and safekeeping of the archive is a responsibility that goes beyond the mere preservation and administration of documents. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> For this reason, the archive team may include members of the organization’s board of directors who provide general guidance; staff that will carry out the organization and preservation of the documents; and trusted external consultants who provide specific technical and professional advice and skills as the archival process progresses. At the end of the document organization process, together, these individuals will ensure the maintenance and integrity of the archive in the longer term. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The team may vary in number depending on the available budget, the size of the organization, and the volume of documents to be organized. In some cases, it is possible to appoint one or two people to manage the process. In continual consultation with other members of the organization, the team will make decisions regarding archive content, purchasing materials, and hiring specialized personnel when necessary. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Organizations with limited resources can seek the support of other organizations with previous archival experience or set up agreements with academic institutions to have students work at the archive as interns. As the archive grows, the organization can train some of its members to carry out more specialized work for the administration and eventual digitization of its contents. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Initially, the team will lead a process to salvage and safeguard documents that, due to a lack of resources, staff or space, may have been previously stored in a makeshift or disorderly manner. The goal here is to build a team that has the technical capabilities and ethical responsibility to create and maintain the archive. </div> [[File:Create and Maintain an Archive (PHOTOS).jpg|center|thumb|678x678px|<span lang="en" dir="ltr" class="mw-content-ltr">Goal: Create and Maintain an Archive</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> The archive team will have to make important decisions regarding the criteria for selecting materials to be preserved and archived. Although organizations often want to preserve all of their materials because they all seem valuable, it is often not reasonable or sustainable to do so , as some materials may be duplicated or do not provide relevant information about the organization, its history, or its activities. In addition, it might be too expensive or impractical, in terms of the space and equipment required for long-term storage, to keep all the materials. These are important decisions that must be made by the team in charge of organizing and maintaining the archive. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP TWO: LOCATE THE MATERIALS === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Over the years, organizations produce a large number of documents in the course of their operations and activities. As the volume of documents grows, the materials are often stored in inappropriate places to create space for more current documents or for those that are used on a daily basis. In many organizations, older documents are tied into bundles or kept in bags or boxes and stored in empty rooms, closets or storage spaces where they are exposed to moisture, heat, and pests. When an organization moves its offices, sometimes it takes these bundles of materials to its new location, distributes them among members of the organization, or gives them to other groups with the hope that one day they will be organized and preserved. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> During this step, it is important to locate all the organization’s scattered materials and set up an appropriate space for their centralization, organization, and preservation. </div> [[File:Locate and centralize the documents to be organized.jpg|center|thumb|499x499px|<span lang="en" dir="ltr" class="mw-content-ltr">Locate and centralize the documents to be organized</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP THREE: FINDING A SUITABLE WORKSPACE === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The workspace must offer protection from the elements in order to avoid any further physical damage to the documents. Even though this space may not be the one where the archive is eventually stored, it is needed at this time to centralize the documents and begin to review and organize them. This space must be clean and dry, free of pets and pests, and have little traffic. This is where the initial organization of the documents will begin and the process of identification, cleaning, organization, and preservation will be carried out. Ideally, the space should be properly lit and ventilated, furnished with worktables and shelves, and have doors that allow for controlled access to the documents. </div> [[File:Work in a suitable space-1.jpg|center|thumb|1424x1424px|<span lang="en" dir="ltr" class="mw-content-ltr">Work in a suitable space</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> In particularly arid, humid, or dusty environments, we recommend the workspace be equipped with hermetically sealed windows and doors. It is important to avoid dirt or carpeted floors because they can be very damaging to documents. When possible, the color of the floor should allow dust particles to be easily seen so that regular cleaning can be done more easily and effectively. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> If the space permits, one or more fans can ensure adequate ventilation. However, the use of fans should be avoided if the documents contain spores or fungi, in which case the moving air could spread the spores around the space and thereby harm staff, the integrity of the documents, or both. If an air conditioner is used, it must have a mechanical filter that can be changed frequently. Finally, the consumption of food and drink in the workspace should be prohibited to prevent damage to documents during handling. In addition, food and drink remnants can attract insects that might further damage and degrade the documents. </div> [[File:Work in a suitable space.jpg|center|thumb|1034x1034px|<span lang="en" dir="ltr" class="mw-content-ltr">Protect your workspace from the elements</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP FOUR: GETTING THE DOCUMENTS OFF THE GROUND === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> From the start, it is very important that the documents and materials to be organized are not directly in contact with the floor or walls. This reduces the possibility of contact with moisture or dust. In the very short term, you can use prefabricated platforms, build makeshift platforms with bricks and wooden boards, or use moisture-resistant plastics to cover the floor where the documents will be collected. In the medium and long term, ideally, you should use painted or stainless-steel shelves to ensure the preservation of the documents, as materials such as wood can attract moisture and termites, which are very harmful to paper documents. However, what is important at this point of the process is to provide a first level of protection for the materials that previously may have been exposed to unsuitable storage conditions. </div> [[File:Elevate documents off the floor and away from walls.jpg|center|thumb|1030x1030px|<span lang="en" dir="ltr" class="mw-content-ltr">Elevate documents off the floor and away from walls</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP FIVE: PROCURE BASIC MATERIALS === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Once the work team has located a suitable space to gather the documents to be archived and the documents are elevated off the ground and moved away from the walls, basic materials and furniture can be acquired for their initial organization. Worktables, chairs, shelves, and cardboard or plastic boxes will be needed at this point to organize the documents. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> For the team members in charge of the archive, it is also important to acquire and use personal protective equipment such as masks, smocks or oversized long-sleeved shirts, latex gloves, hair nets or caps, as well as cleaning products and insecticide for the workspace. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> A document stored in humid environments and extreme temperatures is likely to be infested with fungus, mold, and/or pests that deteriorate the document itself and threaten the health of the archivists. Although the protection and conservation of the documents is important, the health and welfare of staff must be the highest priority before, during, and after any archival process. </div> [[File:Tables and boxes to organize the archival documents.jpg|center|thumb|910x910px|<span lang="en" dir="ltr" class="mw-content-ltr">Tables and boxes to organize the archival documents</span>]] [[File:Useful items for archival organization a.jpg|center|thumb|905x905px|<span lang="en" dir="ltr" class="mw-content-ltr">Useful items for archival organization</span>]] [[File:Personal protective equipment for team members.jpg|center|thumb|905x905px|<span lang="en" dir="ltr" class="mw-content-ltr">Personal protective equipment for team members</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP SIX: DEFINITION OF GENERAL ARCHIVAL CATEGORIES === </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">General Archival Categories.jpg</span>|<span lang="en" dir="ltr" class="mw-content-ltr">thumb</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> During this step, team members will consider how best to group documents together according to general classification categories. These general categories will reflect the need for creating the archive in the first place, while respecting the original purpose of the documents and their use in the past. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Identifying general categories is key to successfully organizing the archive. General categories provide an initial structure for document organization and their </div> <div lang="en" dir="ltr" class="mw-content-ltr"> location in the archive. These categories may not necessarily be the only ones that will be used, but they will get the process started. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The general categories can reflect an organization’s work areas or divisions. Depending on the organization, it may have an “Administration and Coordination Area,” a “Communications Area,” a “Training and Education Area,” a “Research Area,” a “Legal Area,” a “Project Area,” etc. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> As part of their past activities, each of these work areas or divisions created and used documents, and these are the documents that now need to be organized and preserved in the archive. For this task, the organization’s structural chart indicating its different work areas can help staff visualize the organization of the archive. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Archive team members may find it useful to draw a structural chart for the organization beginning with when it was founded and show how this structure has changed over time. The work areas of an organization may provide the necessary criteria to identify and define the archive’s general categories. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> There are also other general categories that can be used to organize archival documents, but the examples that follow in this guide will refer to an organization’s structure by work areas to identify its archive’s general categories. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> General categories group documents that have something in common. The point of this step is not to describe each document, but rather to give the collection of documents a preliminary order that facilitates the following steps in the archival process. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> At this point, it is important that the archive team create an initial list of general categories and, in the next steps, notes the different types of documents that are part of each general category. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The worksheet illustrated here, for example, can be used to identify and list general categories, as well as the various materials included in them and their amounts. Once the different general categories of the archive have been defined, they will be compiled on a single list. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP SEVEN: INITIAL ORGANIZATION OF THE DOCUMENTS === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> In this step, the documents and other archival materials are reviewed in order to classify them. This initial classification will make use of the general categories defined in the previous step and the documents and other materials will be placed in cardboard or plastic boxes. At the end of this step, all the documents in the archive will be grouped into boxes according to their general category. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> At this time, the bags will be opened and the bundles of documents untied to determine their content. For this purpose, the team will use large worktables or a clean, plastic-coated floor, and it will need a sufficient number of cardboard or plastic boxes with lids and a space with shelves to store the boxes in an orderly manner. It is important throughout this and all other steps of the archival process that team members wear personal protective equipment, particularly gloves and masks, when working with archival documents. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> During this step, you will encounter various documents: copies of legal files, press releases, payrolls, lists of members, minutes of board meetings, books, account statements, etc. The idea here is to classify these materials according to each work area of the organization that created and used them. This way, the documents created and used by a work area constitute a general category. In archival terms, this general category then becomes a documentary series. </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">Documentary Series.jpg</span>|center|thumb|<span lang="en" dir="ltr" class="mw-content-ltr">839x839px</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Paper documents are likely to be loose or stapled and may have been placed in manila or plastic folders, ring binders, etc. If they are grouped in any way, at this time, you should not individualize and describe each document stored in a folder or binder, but rather place the folder or binder in a general category. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> At this point of the process, you will likely encounter both letterand legal-size sheets of paper, and it is also possible that you will encounter other materials that contain information, such as photographs, floppy disks, hard drives, memory cards, audio and video cassettes, posters, maps, recognition plaques, etc. If possible, organize these materials in the same way as the others in the appropriate general category (even though their later handling may be different). If these materials do not have a label or other indications regarding their content, they must be set aside and mechanical or computer equipment must be found that can read or reproduce the information they contain. </div> [[File:Review and classify documents.jpg|center|thumb|898x898px|<span lang="en" dir="ltr" class="mw-content-ltr">Review and classify documents</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Once a document has been reviewed, it is placed in a labeled box. The label can be a sheet of paper taped onto the outside of the box indicating the following information: the name of the organization, the general category of the documents in the box, the consecutive number of the box in that category; and the bookend years of the documents (in other words, the year of the oldest document and the year of the most recent document in the box ). You can also include a brief description of the contents of the box, such as “paper documents,” “video cassettes,” “floppy disks,” etc., as well as the general condition of the materials. </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">A box label.png</span>|center|thumb|A box label can display this information as follows|<span lang="en" dir="ltr" class="mw-content-ltr">487x487px</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> You might consider putting paper documents in one box and other types of materials, such as photographs, floppy disks or video cassettes in a separate box. Even though all these boxes belong to the same general category, the types of materials may be different. Another box must also be designated for materials in the same general category that are damaged or that require particular attention due to their condition. </div> [[File:Damaged documents.jpg|center|thumb|956x956px|<span lang="en" dir="ltr" class="mw-content-ltr">Damaged documents</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Storing documents in poor conditions can result in damage and loss of information. Therefore, every document in the archive must be handled with care, observing its physical condition and looking for any indication of damage. Such damage is usually biological or mechanical and, in general, is caused by light, humidity, and/or temperature. For example, light can discolor documents and weaken the fibers of the paper; humidity can generate spots and stains where dust and dirt accumulate; and high temperatures can encourage the growth of spores and fungi and attract insects. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Biological damage refers to living organisms such as rodents, insects, fungi, and bacteria that can destroy documents. Some of these, including cockroaches, worms, termites, and ants, consume the paper while breeding in a damp, dark environment. Their presence can be identified by small holes appearing on the pages or by droppings left between the documents. Spores, fungi, and bacteria change the texture of the paper and weaken it. Their presence is evidenced by the appearance of black, reddish, or brown stains on the paper. A magnifying glass can be used to differentiate an acid stain from fungus., Fungi are superimposed on top of the paper and, in some cases, have thin bristles. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Mechanical damage refers to the breakup of paper fibers or the impact of oxidation from metallic elements such as staples, clamps or clips. Also, the hardening or crystallization of adhesive tape used to repair a torn piece of paper can further tear or stain paper. Plastic elements, such as transparent or colored folders, damage documents due to their acidity and by encouraging humidity buildup. Mechanical damage is also caused by the tension on the paper due to bindings, clamps or presses, such as in classification binders. This tension is evidenced by tears, cracks, and the overall weakening of the paper. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Finally, damaged documents need particular attention. Temporarily, they should be kept in a box labeled “Damaged Materials.” The label should also include other information about the general category to which they belong. Any indication of the presence of rodents, insects, fungi, or bacteria on or among the documents also indicates the need to regularly fumigate – in the absence of staff – the space where these documents are stored and handled. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> After the documents have been reviewed and sorted into general categories, the archive team will have groups of boxes that correspond to the general categories of the archive. If possible, the boxes should be stored on stainless steel or painted wooden shelves. If shelves of this type are not available, the boxes can be temporarily stored on top of each other, taking care that no box is in direct contact with the ground and the weight of the upper boxes does not damage the lower boxes. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Before moving on to the next step, it is important that all archival materials are first classified into general categories. It is also important not to mark or write directly on the original documents. You should not repair tears with adhesive tape or add post-its or other similar items intended to highlight interesting information or documents. To preserve the integrity of the documents, we recommend keeping a record of the documents of interest in a notebook or other format that allows for their easy location and retrieval in the future. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> In the list of general categories that was created in the previous step, the number of boxes that were filled for each general category is now indicated, as well as the total number of boxes for all categories. If, during the review and classification process, the team added or removed general categories, now is the time to update the list of general categories and the number of boxes that correspond to each. </div> [[File:Preliminary organization of the archive according to general categories.jpg|center|thumb|906x906px|<span lang="en" dir="ltr" class="mw-content-ltr">Preliminary organization of the archive according to general categories</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> The shelves on which the archives are stored should be away from the walls and the documents should never touch the floor. This prevents any further damage to the documents from water leaks or any accidental spills in the storage space or facility. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP EIGHT: IDENTIFICATION OF DOCUMENTARY SUBCATEGORIES OR SUBSERIES === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> At the beginning of this step, the archive team can prioritize the general categories they want to inventory and preserve first. For example, due to legal considerations or ongoing investigations, the team may decide to work with the “Research Area” general category first, rather than documents from the “Administration and Coordination” work area. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Once the team has decided how to prioritize the general categories for processing, it will then move on to this step for the first general category and the contents of its respective boxes. This first general category of collected materials constitutes the first documentary series of the final archive. </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">Documentary Series.jpg</span>|center|thumb|<span lang="en" dir="ltr" class="mw-content-ltr">531x531px</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Since you will spend a fair amount of time working with and revising each document in the first general category or documentary series, it is important to have worktables, chairs, and fans —assuming there are no spores or fungi on the documents— to ensure good air circulation in the workspace. Tables, chairs, and the workspace should be cleaned frequently, and team members should use personal protective equipment (particularly gloves and masks) when handling documents. If smocks or loose-fitting shirts are used as cover-ups, they should be washed and dried frequently. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The goal of this step is to inspect and briefly describe all the collected documents and materials included in the first general category or documentary series and organize them into more specific subcategories or subseries. Subcategories generally refer to the types of documents contained in a general category. For example, in the general category from the “Communications Area,” you will find press releases, recordings of radio or television programs, photographs, press materials, pamphlets, flyers, posters, publications, video recordings, etc. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> To better organize the various documents, these can be grouped into different subcategories, such as “Press Releases,” within the general category “Communications Area.” If the general subcategory is “Press Releases,” then these can be organized chronologically, by year and by month, starting with the oldest releases going to the most recent; or thematically, according to the different topics of the releases organized in alphabetical order by topic, and then chronologically, by year and by month. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Taking the general category “Communications Area” as an example, the subcategories can be organized according to the different types of documents, such as “Press Releases,” “Posters and Flyers,” “Press Clippings,” “Publications,” etc. The relationship between the general category and its documentary subcategories can be illustrated as follows: </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">The relationship between the general category and its documentary subcategories.jpg</span>|center|thumb|693x693px|<span lang="en" dir="ltr" class="mw-content-ltr">The relationship between the general category and its documentary subcategories</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> As the illustration indicates, all the documents related to the Communications Area are gathered in a single general category and the subcategories, identified according to document types or their function, allow them to be better organized in an orderly and logical manner. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> ==== What are subcategories? ==== </div> <div lang="en" dir="ltr" class="mw-content-ltr"> When opening the boxes of materials from the first general category, the team will encounter various documents, such as those already mentioned, as well </div> <div lang="en" dir="ltr" class="mw-content-ltr"> as different types of materials such as cassettes, photographs, posters, etc. Therefore, a general category can have one or more secondary categories based on the types of materials it contains. These can be organized into subcategories, with the number of subcategories depending on the diversity of the materials and how many subcategories the archive team deems necessary to organize a general category. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> In this way, each general category or documentary series is made up of one or more subcategories or documentary subseries. This can be illustrated as follows: </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">Documentary subseries.jpg</span>|center|thumb|804x804px|<span lang="en" dir="ltr" class="mw-content-ltr">Documentary subseries</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Subcategories or subseries are smaller, more specific groupings of documents and materials. Not all general categories or series necessarily include subcategories or subseries, but their use allows for the more detailed organization of a general category. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> To facilitate the identification of subcategories, it is important that team members pay attention to the types of documents they come across when they review them, noting the most striking characteristics of each. If the team identifies subcategories within a general category and decides to use them, it will place each of the documents of the general category into only one of the identified subcategories. Additional boxes can be used to separate documents and materials for each subcategory. A miscellaneous subcategory can also be provided for all documents in a general category that do not fall into one of the subcategories identified by the team. </div> [[File:Organization of general categories into subcategories.jpg|center|thumb|836x836px|<span lang="en" dir="ltr" class="mw-content-ltr">Organization of general categories into subcategories</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> For example, within the documentary series “Training and Education Area,” there may be subseries such as “Seminars,” “Workshops,” or “Training Camps.” The “Seminars” subseries could be organized in chronological order for each seminar organized and carried out, from the oldest to the most recent, including documents such as announcements and other means of publicity for the event, participant lists, presentations, photographs, flipcharts, notes, minutes and reports, as well as budgets, tenders, and financial reports related to each event. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The subseries of the “Training and Education Area” series could also be organized according to the topics taught in the various training events, such as “Human Rights,” “Indigenous Rights,” “Children’s Rights,” etc. This subseries would contain documents for each activity in which that topic was taught, in chronological order, from oldest to most recent. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> It is up to the archive team to determine the most appropriate subseries for each documentary series in the archive. The series and subseries are the main classification instruments for the organization of the final archive. At this point of the process, the list of general categories becomes a list of documentary series and the subseries identified by the team are added to the list. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP NINE: MAKING AN INVENTORY FOR EACH DOCUMENTARY SERIES AND SUBSERIES === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> This step consists of preparing and completing an inventory form (see example below) for the documents previously organized into documentary series and subseries. In this step, team members will again work directly with the documentary series and subseries, one at a time, in order to describe the contents of each document, its physical state of conservation, and its date of preparation to properly situate it in the archive. At this point, a specific and definitive place is assigned to each document within the physical archive. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> On the inventory form, the characteristics of each document are indicated. The form can be filled out by hand, on a sheet of paper divided into nine columns, or directly in an Excel spreadsheet. If many people are going through the documents but few computers are available, then we recommend using paper forms to start with. Then someone from the team can enter the information from the forms onto a single Excel spreadsheet. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> It doesn’t matter whether the inventory process begins or ends with the Excel spreadsheet, but it is important to always keep at least two backup copies of the updated data. If paper forms are used, we recommend saving them, even after their contents have been transcribed onto an Excel spreadsheet. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The header of the inventory form indicates the name of the organization and the documentary series being processed. At this point, the inventory process returns to the order of priority of the documentary series and subseries that was determined previously. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> As an example, the nine columns of the inventory form can include the following information: </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 1. The number of the box in which the document or material is stored; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 2. The folder or packet number in which the document is located; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 3. The documentary series to which the document belongs; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 4. The documentary subseries to which the document belongs; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 5. The date of preparation of the document; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 6. The type of document, including the number of pages, if applicable; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 7. A brief description or summary of the document’s content; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 8. The state of preservation of the document; </div> <div lang="en" dir="ltr" class="mw-content-ltr"> 9. Additional comments on the document. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Example of a handwritten inventory form '''INVENTORY FORM''' </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Historical Archive of the Coastal Human Rights Committee </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Documentary series: Communications Area </div> <div lang="en" dir="ltr" class="mw-content-ltr"> {| class="wikitable" |'''Box''' |'''Folder''' |'''Docu- mentary Series''' |'''Docu- mentary Sub- series''' |'''Date''' |'''Document Type''' |'''Brief Descrip- tion or Summary''' |'''Preservation Status''' |'''Comments''' |- |1 |1 |''Communica''- ''tions Area'' |''Press releases'' |19850711 |''Complaint, 1 page'' |''Kidnapping of three farmers from the coast'' |''Good condition'' |''Original and a copy'' |- |1 |1 |''Communica''- ''tions Area'' |''Press releases'' |19850712 |''Declara''- ''tion, 2 pages'' |''Content of the meeting with the Attorney General'' |''Good condition'' |''Removed the rusty staple'' |- |1 |1 |''Communica''- ''tions Area'' |''Press releases'' |19850716 |''Advertise''- ''ment, 1 page'' |''Call for a demon''- </div> <div lang="en" dir="ltr" class="mw-content-ltr"> ''stration in front of the Congress'' |''Good con''- ''dition, but oxidation spots from the staple'' |''Removed the rusty staple'' |- |1 |1 |''Communica''- ''tions Area'' |''Press releases'' |19850714 |''Declara''- ''tion, 2 pages'' |''Declaration of the occu''- ''pants of the Cathedral'' |''Poor condition and missing second page'' | |- |2 |2 |''Communica''- ''tions Area'' |''Newsreel recordings'' |19850815 |''Video cassette, 14 min.'' |''Channel 7 newscast, interview with director López'' |''The volume is very low'' |''Find out how to digitize the video'' |- |2 |3 |''Communica''- ''tions Area'' |''Fishermen Interviews'' |19850817 |''Audio cassette, 87 min.'' |''Case of fish''- ''ermen raiding the port'' |''Bad, damaged by moisture'' |''Inaudible'' |} </div> <div lang="en" dir="ltr" class="mw-content-ltr"> '''The same form in an Excel spreadsheet:''' </div> <div lang="en" dir="ltr" class="mw-content-ltr"> {| class="wikitable" | |'''A''' |'''B''' |'''C''' |'''D''' |'''E''' |'''F''' |'''G''' |'''H''' |'''I''' |- |'''1''' |'''Box''' |'''Folder''' |'''Docu- mentary Series''' |'''Docu- mentary Sub- series''' |'''Date''' |'''Docu- ment Type''' |'''Brief De- scription or Sum- mary''' |'''State of Preser- vation''' |'''Comments''' |- |'''2''' |1 |1 |Com- muni- cations Area |Press releases |19850711 |Com- plaint, 1 page |Kidnap- ping of three farmers from the coast |Good condition |Original and a copy |- |'''3''' |1 |1 |Com- muni- cations Area |Press releases |19850712 |Decla- ration, 2 </div> <div lang="en" dir="ltr" class="mw-content-ltr"> pages |Content of the meeting with the Attorney General |Good condition |Re- moved the rusty staple |- |'''4''' |1 |1 |Com- muni- cations Area |Press releases |19850716 |Adver- tise- ment, 1 page |Call for a demon- stration in front of the Con- gress |Good condi- tion, but oxidation spots from the staple |Re- moved the rusty staple |- |'''5''' |1 |1 |Com- muni- cations Area |Press releases |19850714 |Decla- ration, 2 </div> <div lang="en" dir="ltr" class="mw-content-ltr"> pages |Declara- tion of the oc- cupants of the Cathedral |Poor condi- tion and missing second page | |- |'''6''' |2 |2 |Com- muni- cations Area |news- reel record- ings |19850815 |Video cas- sette, 14 min. |Channel 7 newscast, interview with director López |The volume is very low |Find out how to digitize the video |- |'''7''' |2 |3 |Com- muni- cations Area |Fish- ermen Inter- views |19850817 |Audio cas- sette, 87 min. |Case of fishermen raiding the port |Bad, damaged by mois- ture |Inaudi- ble |} </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Regarding the column “State of Preservation,” it is simply a matter of making an intuitive assessment of the state of conservation of each document based on its appearance. Some specific detail can be given, such as “possible fungus,” or it can simply refer to the general condition of the piece in terms of it being in “good condition” or “poor condition.” </div> <div lang="en" dir="ltr" class="mw-content-ltr"> It is important at this point to give a definitive order to the documentary series and that each document of each subseries is organized according to the order decided on by the team, whether it is chronological, thematic, or alphabetical. To correctly locate a particular document in the future in its folder or packet and in its box, the final organization must be reflected in the inventory. Going forward, the inventory will serve as the primary tool to locate any document in the physical archive. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> === STEP TEN: BASIC TREATMENT FOR THE PRESERVATION OF DOCUMENTS === </div> <div lang="en" dir="ltr" class="mw-content-ltr"> As a counterpart to the previous step of inventory and the final organization of the archive into documentary series and subseries, in this tenth and last step of the process, documents are given basic treatment with the aim of ensuring their preservation and future digitization. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> We recommend turning off fans during the document cleaning process so as not to spread dust and dirt from the documents, especially spores or fungi. As in the previous steps, staff responsible for carrying out treatment measures must ensure that they wear all the necessary protective equipment. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> In this step, all metal elements prone to rust, such as staples, clamps, and clips are removed from the paper documents. Plastic elements, such as folders or acetate envelopes, should also be eliminated. Staples can be removed with a letter opener or lab spatula, always taking care not to tear the document and to properly dispose of recovered metal materials. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> For the removal of staples in particular, the use of a staple remover is not recommended, since the pliers pull out the staples instead of carefully removing them, thus easily tearing the paper. With the lab spatula, unfold the two ends of the staple on the back of the sheet, turn the sheet over, and lift the staple out without damaging the document. </div> [[File:Carefully remove all metallic elements from the documents.jpg|center|thumb|938x938px|<span lang="en" dir="ltr" class="mw-content-ltr">Carefully remove all metallic elements from the documents</span>]]After removing the staples, clamps or clips, both sides of the pages of each document must be cleaned using a dry brush with soft, natural bristles, always sweeping from the inside out and frequently clearing away dust particles and dirt from worktables and floors.[[File:Brush both sides of each page.jpg|center|thumb|909x909px|<span lang="en" dir="ltr" class="mw-content-ltr">Brush both sides of each page</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Once clean, if you need to refasten the pages of a document, we recommend using a plastic clip (not metal) placed on top of a piece of acid-free 3 cm x 6 cm bond paper folded over the first and last pages of the document in such a way that the clip does not come into direct contact with the original. Although stainless steel staples exist, they can be very expensive, and when documents are digitized in the future, it will be necessary to remove them again, once more compromising the integrity of the paper. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> When each document of a subseries has been organized, they can be separated from the preceding and subsequent documents with a full sheet of acid-free bond paper. In this situation, a plastic clip to hold the pages of a document together is unnecessary, as the documents are separated by sheets of bond paper, one before the first page and one following the last page of each document. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> For example, multiple-page press releases from the “Press Releases” subseries of the “Communications Area” series can have a sheet of bond paper between each one. In this way, each press release is separated without using plastic clips. Multiple press releases, arranged in chronological order by date, can be bundled together in packets. You can place a piece of chipboard or posterboard on top of the packet and another below, then each packet is tied with one-centimeter-wide twill tape. </div> [[File:Create packets of documents organized chronologically.jpg|center|thumb|538x538px|<span lang="en" dir="ltr" class="mw-content-ltr">Create packets of documents organized chronologically</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Materials other than stapled paper documents, such as notebooks, logs or newspapers, can be packed using acid-free sheets of paper, as illustrated below: </div> [[File:Using acid-free sheets of paper.jpg|center|thumb|790x790px|<span lang="en" dir="ltr" class="mw-content-ltr">Using acid-free sheets of paper</span>]]The same procedure can be applied to materials such as photographs, using chipboard or posterboard between each one and then packing several photographs inside a folded sheet of acid-free paper. Another alternative, in the event that the documents and materials are still being consulted or used on a regular basis, is tož use legal-size manila folders to group documents in the same '''subseries'''.[[File:Use of the legal-size manila folders.jpg|center|thumb|799x799px|<span lang="en" dir="ltr" class="mw-content-ltr">Use of the legal-size manila folders</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> Note: all packets, packages, and manila folders must be individually identified in pencil and their characteristics and contents recorded on the inventory form. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Also, the sheets of bond paper used to separate documents and the chipboard or posterboard used to protect the packets of documents tied with twill tape must be the same size as the original documents. </div> [[File:Identify each folder with a sequential number that is recorded on the inventory form.jpg|center|thumb|773x773px|<span lang="en" dir="ltr" class="mw-content-ltr">Identify each folder with a sequential number that is recorded on the inventory form</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> As mentioned in step seven, all handwritten notes related to the documents should appear not on the original documents, but on the sheets of acid-free bond paper or on the archival folders that protect the originals. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> At the end of the process, all the documents should be kept in boxes with lids and identified with a label that indicates the name of the [[Special:MyLanguage/Glossary of Key Terms and Concepts#Collection|archival collection]], the documentary series, the documentary subseries, the consecutive number of the box, the bookend years of the documents and materials in the box, a brief description of their content, and their general state of preservation. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Below is an example of the information needed on a box’s final label: </div> [[File:<span lang="en" dir="ltr" class="mw-content-ltr">Example of the information needed on a box’s final label.jpg</span>|center|thumb|698x698px|<span lang="en" dir="ltr" class="mw-content-ltr">Example of the information needed on a box’s final label</span>]] [[File:Organized archive.jpg|thumb|305x305px|<span lang="en" dir="ltr" class="mw-content-ltr">Organized archive</span>]] <div lang="en" dir="ltr" class="mw-content-ltr"> After the 10 steps have been completed, the organization’s physical archive should look similar to the photograph to the left. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> Finally, to the extent possible, the ambient conditions inside the physical archive room should be kept stable, controlling humidity, direct light, temperature, and dust. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> The ideal temperature for paper is between 15° and 20°C. The ideal relative humidity should be between 45% and 60%, with a maximum daily fluctuation of 5%. The use of a hygrometer is recommended to conduct periodic measurements of the humidity. </div> <div lang="en" dir="ltr" class="mw-content-ltr"> It is also important to ensure that there are no sudden variations in temperature, as this can accelerate damage to archival documents and materials. If an air conditioner is installed, for example, it must be kept on 24/7 at the same temperature, as turning the unit on and off can cause abrupt changes in temperature that may accelerate document deterioration. </div>
Tools
Special pages
Printable version